Open Working Rehearsal Vienna Philharmonic Orchestra

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The public rehearsal of the Vienna Philharmonic serves the orchestra in preparing for their concerts. The duration of the rehearsal is limited to 2.5 hours. During this rehearsal process, works may be played with interruptions.

Program and cast

19.9.2025
Vienna Philharmonic Orchestra
Martha Argerich piano
Tugan Sokhiev conductor

 

Program
Sergei Prokofiev Concerto for Piano and Orchestra No. 3 in C major op. 26

 

Interval

 

Igor Stravinsky Petrushka / Burlesque in Four Scenes (original version)

 

 

18.12.2025
Vienna Philharmonic Orchestra
Franz Welser-Möst conductor

 

Program
Ludwig van Beethoven Leonore Overture No. 3 to op. 72
Richard Strauss Metamorphosen / Study for 23 Solo Strings AV 142

 

Interval

 

Ludwig van Beethoven Symphony No. 5 in C minor op. 67

 

 

16.1.2026
Vienna Philharmonic Orchestra
Daniel Harding conductor

 

Program
Richard Strauss Don Juan / Tone Poem after Nikolaus Lenau op. 20
Joseph Haydn Symphony in F minor Hob. I:49 La Passione

 

Interval

 

Richard Strauss Don Quixote / Fantastic Variations on a Theme of Knightly Character op. 35

 

 

13.5.2026
Vienna Philharmonic Orchestra
Riccardo Muti conductor

 

Program
Joseph Haydn Symphony in B flat major Hob. I:102
Joseph Haydn Symphony in E flat major Hob. I:103 with the Drum Roll
Joseph Haydn Symphony in D major Hob. I:104 Salomon

Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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