Thousands of Miles, Lied Recital Lindsey and Trotignon

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August 2026
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Program and cast

Thousands of Miles — Lied Recital Lindsey · Trotignon | CONCERT

 

Kate Lindsey Mezzo-soprano 

Baptiste Trotignon Piano / Arranger

 

Programme

Kurt Weill

Nannas Lied

From the musical tragedy Lost in the Stars

Thousands of Miles

Big Mole

‘Denn wie man sich bettet, so liegt man’ from the opera Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny)

 

Erich Wolfgang Korngold

‘Schneeglöckchen’ from Einfache Lieder op. 9/1

 

Alexander Zemlinsky

‘Und hat der Tag all seine Qual’ from Turmwächterlied und andere Gesänge op. 8/2

 

Kurt Weill

Buddy on the Nightshift

Berlin im Licht

‘Don’t Look Now, But My Heart Is Showing’ from the movie version of the musical One Touch of Venus

 

Alma Mahler

‘Die stille Stadt’ from Fünf Lieder

‘Hymne’ from Fünf Gesänge

 

Kurt Weill

From the play with music Die Dreigroschenoper (The Beggar’s Opera)

Seeräuberjenny (Pirate Jenny)

Barbarasong

Je ne t’aime pas

From the American opera Street Scene

Lonely House

We’ll Go Away Together

From the musical tragedy Lost in the Stars

Trouble Man

 

Alexander Zemlinsky

‘Selige Stunde’ from Ehetanzlied und andere Gesänge op.10/2

Stiftung Mozarteum

In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart. Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).

 

Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.

 

The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.

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