Verdi, Messa da Requiem

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After the performance by the Orchestra and Choir of the Zurich Opera under the direction of Gianandrea Noseda in March, a new version of Verdi’s Requiem, this time led by Daniele Gatti with the Sächsische Staatskapelle Dresden.

 

The question of Verdi’s faith remains open to debate, but it seems that, at best, it was rather lukewarm. His Requiem is an intensely personal work, conceived more as a response to death and the questions it raises than as a piece about God. The score demonstrates a sense of contrast and dramatic effectiveness with few equals, and Daniele Gatti’s rigorous interpretation emphasizes the structural lines and architecture within an atmosphere of gravity. The conductor reunites with Eleonora Buratto, who had impressed in the same work in 2022, and brings in the darling of French tenors, Benjamin Bernheim.

Program and cast

Sächsische Staatskapelle Dresden
Choir of the Orchestre de Paris
Daniele Gatti, conductor
Eleonora Buratto, soprano
Elīna Garanča, mezzo-soprano
Benjamin Bernheim, tenor
Riccardo Zanellato, bass
Richard Wilberforce, chorus master

 

Programme
Giuseppe Verdi - Requiem

Philharmonie de Paris

Grande salle Pierre Boulez - Philharmonie


The Grande salle Pierre Boulez (Symphonic Hall) boasts innovations in architecture, stage design and acoustical engineering. Thanks to a modular design, its capacity increases from 2400 people in the symphonic configuration to 3600 when the parterre is converted into a standing room area.


All five levels of the Grande salle Pierre Boulez are accessed via the entrance on Level 3 of Philharmonie, which can be reached via stairways, escalators and two lifts, with direct access from the Porte de Pantin plaza and the Philharmonie parking facility.


From the entrance, stairways and lifts inside the hall take visitors to the various levels.


The Grande Salle Pierre Boulez has thirty designated seats for people with reduced mobility.

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