Die Walküre
January 2026 | ||||||
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Opera in three acts
Music by Richard Wagner (1813-1883)
Libretto by Richard Wagner
Premiere: Munich, Royal Theatre, 26 June 1870
New production
In this part of Wagner’s Tetralogy, we witness the consequence of what had happened in Das Rheingold: the ring, which Godfather Wotan in his greed for supremacy stole from Alberich, brings more fatal destruction. At the end of the opera, Wotan remains a broken man who lost the respect of his wife, banished his favourite daughter, provoked the death of his beloved children, and forsakes his godly might.
Three imposing female figures dominate Die Walküre: at first the human girl Sieglinde, who manages to break away from her violent husband Hunding with the help of Siegmund, an unknown boy. She falls in love and conceives a child with him – only to find out that he is her lost twin and like her an illegitimate child of Wotan’s. The second act contains a magnificent confrontation between Wotan and his wife Fricka, where she argues him into bowing to laws more universal than any god’s power. We also meet Brünnhilde, whose future unfolds before us in the rest of the Ring. A careless tomboy at first, she matures into a compassionate, heartful woman, who unhesitatingly faces expulsion from Valhalla and loss of her deity, the harsh punishment for helping Siegmund and Sieglinde in their darkest hour.
Synopsis
Act 1
As a storm rages, Siegmund finds shelter from his enemies in a large dwelling built around a massive ash-tree. Unarmed and wounded, he collapses with exhaustion. Sieglinde enters; she tells Siegmund that she is the wife of Hunding, and that he may rest here until Hunding's return. As they talk, they look at each other with growing interest and emotion. Siegmund gets ready to leave, telling Sieglinde that misfortune follows him and he does not want to bring it on her; she replies that misfortune dwells with her already.
Hunding returns, and questions Siegmund's presence. Calling himself Wehwalt ("woeful"), Siegmund explains that he grew up in the forest with his parents and twin sister. One day he found their home burned down, his mother killed and his sister gone. Recently he fought with the relatives of a girl being forced into marriage. His weapons were destroyed, the bride was killed, and he was forced to flee. Hunding reveals that he is one of Siegmund's pursuers; Siegmund may stay, he says, but they must fight in the morning. Before leaving, Sieglinde gives a meaningful glance to a particular spot on the tree in which, the firelight reveals, a sword is buried to the hilt.
Sieglinde returns, having drugged Hunding's drink. She reveals that she was forced into the marriage and that during their wedding feast, an old man appeared and plunged a sword into the trunk of the ash tree which neither Hunding nor any of his companions have been able remove. She is longing for the hero who will draw the sword and save her. When Siegmund expresses his love for her, she reciprocates, and when he speaks the name of his father, Wälse, she recognises him as Siegmund, and realises that the sword was left for him. Siegmund then draws the sword from the tree. She reveals herself as Sieglinde, his twin sister. Siegmund names the sword "Nothung" and declares that it will be her protection. The two sing of their passionate love for each other, as the act ends.
Act 2
On a high mountain ridge, Wotan instructs Brünnhilde, his Valkyrie daughter, to protect Siegmund in his forthcoming battle with Hunding. Fricka arrives, and in her role as goddess of family values demands that Siegmund and Sieglinde be punished for their adultery and incest. She scorns Wotan's argument that he requires Siegmund as a "free hero", who can further his plans to recover the ring from Fafner, uninhibited by Wotan's contracts. She retorts that Siegmund is not free but is Wotan's pawn, whose every move the god seeks to direct. Defeated by Fricka's logic, Wotan reluctantly agrees that he will not protect Siegmund. After Fricka leaves, the troubled Wotan gives Brünnhilde the full backstory, and with great sorrow rescinds his earlier instruction; he orders her to give the victory to Hunding, and then departs.
Siegmund and Sieglinde now enter, and Sieglinde faints, consumed with guilt and exhaustion. Brünnhilde tells Siegmund of his impending death; he refuses to follow Brünnhilde to Valhalla when she tells him Sieglinde cannot accompany him. Siegmund still believes that his father's sword will assure him of victory over Hunding, but Brünnhilde tells him it has lost its power. Siegmund threatens to kill both Sieglinde and himself. Much moved, Brünnhilde decides to defy her father and grant victory to Siegmund.
Hunding's call is heard; he arrives, and attacks Siegmund. Under Brünnhilde's power Siegmund begins to overpower Hunding, but Wotan appears and shatters Siegmund's sword with his spear. Hunding then stabs him to death. Brünnhilde gathers up the fragments of the sword and flees on horseback with Sieglinde. Contemptuously, Wotan strikes Hunding dead, and swearing that Brünnhilde will be punished for her defiance, sets out in pursuit of her.
Act 3
The Valkyries congregate on the mountain-top, each carrying a dead hero and chattering excitedly. Brünnhilde arrives with Sieglinde, and begs her sisters for help, but they dare not defy Wotan. Sieglinde tells Brünnhilde that without Siegmund she no longer wishes to live. Brünnhilde informs her that she is pregnant by Siegmund, and urges her to remain alive for the child's sake, and to name the child Siegfried. Brünnhilde gives the fragments of the sword Nothung to Sieglinde, who thanks her for her loyalty and comfort, and resolves to save the child. As she departs, Wotan is heard approaching with great wrath.
When Wotan arrives, the Valkyries vainly try to hide Brünnhilde. He faces her and declares her punishment: she is to be stripped of her Valkyrie status and become a mortal woman, to be held in defenceless sleep on the mountain, prey to any man who finds her. The other Valkyries protest, but when Wotan threatens them with the same, they flee. In a long discourse with Wotan Brünnhilde explains that she decided to protect Siegmund knowing that this was Wotan's true desire. Wotan consents to her request that he surround her resting place with a circle of fire that will protect her from all but the bravest of heroes. He bids her a loving farewell and lays her sleeping form down on a rock. He then summons Loge, the demigod of fire, who creates a circle of flames around her. Before slowly departing, Wotan pronounces that anyone with fear shall never pass through the fire.
Program and cast
Production team
Conductor | Gianluca Capuano
Director | Davide Livermore
Sets | Davide Livermore, Paolo Gep Cucco & Eleonora Peronetti
Costumes | Gianluca Falaschi
Lighting design | Antonio Castro
Videos | D-Wok
Repetitor | Alessandro Pratico
Assistant director | Diego Mingolla
Assistant costumes | Anna Missaglia
Assistant conductor | Benedikt Sauer
Cast
Siegmund | Joachim Bäckström
Hunding | Wilhelm Schwinghammer
Wotan | Matthias Goerne
Sieglinde | Libby Sokolowski
Brünnhilde | Nancy Weissbach
Fricka | Ekaterina Semenchuk
Helmwige | Sofia Fomina
Gerhilde | Natalia Tanasii
Waltraute | Maire Therese Carmack
Siegrune | Kayleigh Decker
Grimgerde | Alexandra Kadurina
Schwertleite | Freya Apffelstaedt
Rossweisse | Niamh O’sullivan
Ortlinde | Kaarin Cecilia Phelps
Les Musiciens du Prince - Monaco
Opera de Monte Carlo
The Opéra de Monte-Carlo is an opera house which is part of the Monte Carlo Casino located in the Principality of Monaco.
With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it.
During the renovation of the Salle Garnier in 2004–05, the company presented operas at the Salle des Princes in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform.