Die Walküre
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Opera
Munich Opera Festival
Composer Richard Wagner. Symphonic poem by Richard Wagner.
recommended for age 14 and older
In German. With surtitles in German and English. New Production.
Richard Wagner wrote Die Walküre as the second of four parts of the powerful musical theatre epic, Der Ring des Nibelungen, which is based on the Medieval Nibelungenlied and old Norse god sagas. Wotan, the highest god, has fathered twins with a mortal woman – Siegmund and Sieglinde. These two in turn have a child, in which Wotan sees his dominion consolidated. His wife Fricka defies his plans and, as protector of the traditional marriage rites, demands Siegmund’s death. Wotan reluctantly agrees, although it will cause a split with his favourite daughter.
After beginning with Das Rheingold, in which he showed how the gods find their way back to their original power, director Tobias Kratzer and his team now focus on the meaning of “having no shelter”, and indeed, “both in the concrete sense (Siegmund, who with no house or home must flee) and in the metaphorical sense (Wotan, who increasingly feels more alone and lost in the expanses of eternity and cosmic fear)” (Tobias Kratzer). The piece, says Kratzer, asks the question as to whether, “love could be the solution to this dilemma?” And whether, “having no shelter can be ‘remedied’ or at least temporarily forgotten by love”, or perhaps it is the greatest of all self-deceptions.
Synopsis
Act 1
As a storm rages, Siegmund finds shelter from his enemies in a large dwelling built around a massive ash-tree. Unarmed and wounded, he collapses with exhaustion. Sieglinde enters; she tells Siegmund that she is the wife of Hunding, and that he may rest here until Hunding's return. As they talk, they look at each other with growing interest and emotion. Siegmund gets ready to leave, telling Sieglinde that misfortune follows him and he does not want to bring it on her; she replies that misfortune dwells with her already.
Hunding returns, and questions Siegmund's presence. Calling himself Wehwalt ("woeful"), Siegmund explains that he grew up in the forest with his parents and twin sister. One day he found their home burned down, his mother killed and his sister gone. Recently he fought with the relatives of a girl being forced into marriage. His weapons were destroyed, the bride was killed, and he was forced to flee. Hunding reveals that he is one of Siegmund's pursuers; Siegmund may stay, he says, but they must fight in the morning. Before leaving, Sieglinde gives a meaningful glance to a particular spot on the tree in which, the firelight reveals, a sword is buried to the hilt.
Sieglinde returns, having drugged Hunding's drink. She reveals that she was forced into the marriage and that during their wedding feast, an old man appeared and plunged a sword into the trunk of the ash tree which neither Hunding nor any of his companions have been able remove. She is longing for the hero who will draw the sword and save her. When Siegmund expresses his love for her, she reciprocates, and when he speaks the name of his father, Wälse, she recognises him as Siegmund, and realises that the sword was left for him. Siegmund then draws the sword from the tree. She reveals herself as Sieglinde, his twin sister. Siegmund names the sword "Nothung" and declares that it will be her protection. The two sing of their passionate love for each other, as the act ends.
Act 2
On a high mountain ridge, Wotan instructs Brünnhilde, his Valkyrie daughter, to protect Siegmund in his forthcoming battle with Hunding. Fricka arrives, and in her role as goddess of family values demands that Siegmund and Sieglinde be punished for their adultery and incest. She scorns Wotan's argument that he requires Siegmund as a "free hero", who can further his plans to recover the ring from Fafner, uninhibited by Wotan's contracts. She retorts that Siegmund is not free but is Wotan's pawn, whose every move the god seeks to direct. Defeated by Fricka's logic, Wotan reluctantly agrees that he will not protect Siegmund. After Fricka leaves, the troubled Wotan gives Brünnhilde the full backstory, and with great sorrow rescinds his earlier instruction; he orders her to give the victory to Hunding, and then departs.
Siegmund and Sieglinde now enter, and Sieglinde faints, consumed with guilt and exhaustion. Brünnhilde tells Siegmund of his impending death; he refuses to follow Brünnhilde to Valhalla when she tells him Sieglinde cannot accompany him. Siegmund still believes that his father's sword will assure him of victory over Hunding, but Brünnhilde tells him it has lost its power. Siegmund threatens to kill both Sieglinde and himself. Much moved, Brünnhilde decides to defy her father and grant victory to Siegmund.
Hunding's call is heard; he arrives, and attacks Siegmund. Under Brünnhilde's power Siegmund begins to overpower Hunding, but Wotan appears and shatters Siegmund's sword with his spear. Hunding then stabs him to death. Brünnhilde gathers up the fragments of the sword and flees on horseback with Sieglinde. Contemptuously, Wotan strikes Hunding dead, and swearing that Brünnhilde will be punished for her defiance, sets out in pursuit of her.
Act 3
The Valkyries congregate on the mountain-top, each carrying a dead hero and chattering excitedly. Brünnhilde arrives with Sieglinde, and begs her sisters for help, but they dare not defy Wotan. Sieglinde tells Brünnhilde that without Siegmund she no longer wishes to live. Brünnhilde informs her that she is pregnant by Siegmund, and urges her to remain alive for the child's sake, and to name the child Siegfried. Brünnhilde gives the fragments of the sword Nothung to Sieglinde, who thanks her for her loyalty and comfort, and resolves to save the child. As she departs, Wotan is heard approaching with great wrath.
When Wotan arrives, the Valkyries vainly try to hide Brünnhilde. He faces her and declares her punishment: she is to be stripped of her Valkyrie status and become a mortal woman, to be held in defenceless sleep on the mountain, prey to any man who finds her. The other Valkyries protest, but when Wotan threatens them with the same, they flee. In a long discourse with Wotan Brünnhilde explains that she decided to protect Siegmund knowing that this was Wotan's true desire. Wotan consents to her request that he surround her resting place with a circle of fire that will protect her from all but the bravest of heroes. He bids her a loving farewell and lays her sleeping form down on a rock. He then summons Loge, the demigod of fire, who creates a circle of flames around her. Before slowly departing, Wotan pronounces that anyone with fear shall never pass through the fire.
Program and cast
Conductor: Vladimir Jurowski
Director: Tobias Kratzer
Production Assistant: Matthias Piro
Stage Designer: Rainer Sellmaier
Lighting: Michael Bauer
Video: Manuel BraunJonas DahlJanic Bebi
Dramaturge: Olaf RothBettina Bartz
Siegmund: Joachim Bäckström
Hunding: Ain Anger
Wotan: Nicholas Brownlee
Sieglinde: Irene Roberts
Brünnhilde: Miina-Liisa Värelä
Fricka: Ekaterina Gubanova
Helmwige: Dorothea Herbert
Gerhilde: Julie Adams
Ortlinde: Elene Gvritishvili
Waltraute: Claudia Mahnke
Siegrune: Niina Keitel
Roßweiße: Christina Bock
Grimgerde: Natalie Lewis
Schwertleite: Noa Beinart
Bayerisches Staatsorchester
National Theatre Munich
The National Theatre Munich (German: Nationaltheater München) is an opera house in Max-Joseph-Platz in Munich, Germany. It is the home of the Bavarian State Opera and the Bayerisches Staatsballett(Bavarian State Ballet).
The Bavarian State Opera also performs in the Prinzregententheater, which opened in 1901 and, like the Bayreuth Festspielhaus, is built to Richard Wagner's specifications, and in the Cuvilliés Theatre at the Residenz, constructed in 1751–1753 and described by Thierry Beauvert as "a Rococo gem".
The Nationaltheater is very easy to get to both by car and by MVV public transportation.
By MVV public transportation
S-Bahn: S 1 - 8 Marienplatz
U-Bahn: U 3, 6 Marienplatz, U 3 - 6 Odeonsplatz
Bus: 52, 131 Marienplatz, 100 Odeonsplatz
Straßenbahn: 19 Nationaltheater
On the day of the performance, holders of regular tickets are entitled to use public transport provided by the Münchner Verkehrsverbund (MVV). This service starts at 3 pm respectively three hours before the performance commences and ends with the closing hour of the MVV.
By Car
Take the Altstadt-Ring to Maximilianstraße.
Parking garage Max-Joseph-Platz: open Monday to Sunday from 6:00 A.M. to 2:00 A.M.
You can take advantage of the special theatre parking fee of Euro 10,- from 6:00 P.M. to 8:00 A.M. by presenting your admission tickets.