Deutsches Symphonie-Orchester Berlin

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May 2026
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Bruckner’s “boldest” symphony and Shostakovich’s cello concerto with Yuya Mizuno, winner of the Prague Spring IMC 2025, are brought to you by Berlin’s Grammy Award-winning “orchestral think tank”.

 

The festival concert on 31 May will see the return of several big names. After an absence of almost thirty-five years the Prague Spring welcomes back one of the finest German symphonic ensembles, Berlin’s “think tank”, the Deutsches Symphonie-Orchester Berlin. Following Lorin Maazel and Vladimir Ashkenazy, taking the helm on this occasion will be Czech conductor Tomáš Hanus, whose performance of My Country with the Welsh National Opera Orchestra in 2023 resonates to this day in the hearts of countless music fans. Moreover, together they will present works by two composers cherished by the Prague Spring: Dmitri Shostakovich, who was a guest of the festival back in 1947, and Anton Bruckner, whose colossal symphonies have been performed at the Prague Spring by the likes of Karl Böhm, Kurt Masur, Lorin Maazel and Daniel Barenboim. The soloist in Shostakovich’s Concerto for Cello and Orchestra No. 1 is the charismatic winner of the Prague Spring International Music Competition 2025, Japanese cellist Yuya Mizuno. “Performing Shostakovich’s Cello Concerto No. 1 at the Prague Spring International Music Festival holds a special significance for me,” Yuya tells us. “It was composed in 1959 for Mstislav Rostropovich, who himself won the Prague Spring International Music Competition in 1950 and had a deep connection to this city. It is a great honour to perform this work in the same place, following in his footsteps.”

When Dmitri Shostakovich (1906–1975) handed the manuscript of his first cello concerto to his friend Mstislav Rostropovich, twenty years his junior, on 2 August 1959, the latter returned after four days and played the whole piece from memory. He remarked upon it later: “On the 6th of August I played him the concerto from memory – three times in a row. After the first run, he became deeply moved and, as you might expect, we had a little vodka. The second time, I didn’t play all that perfectly, so we had a bit more vodka. The third time, I believe I was playing the Saint-Saëns concerto, but he was accompanying me from his own concerto score. We were endlessly happy…” The brilliant cellist subsequently played this demanding work – which treats the motif D-S-C-H [D-E flat-C-B natural] and, in the closing movement, ironically quotes Stalin’s favourite song Suliko – to audiences all over the world. Today most cellists have the concerto in their repertoire and it is unquestionably one of the composer’s most popular works. “This piece is filled with tension, inner conflict and, at times, sharp humour,” says Yuya Mizuno. “From the forceful opening motif, the introspective second movement, and the third movement, which serves as an extended cadenza, to the ironic finale, the piece challenges the performer with both technical demands and emotional depth. It is truly one of the greatest concertos ever written for the cello,” Yuya concludes. When the cellist performed Bach’s Suite for Solo Cello in D major and Dvořák’s Cello Concerto in B minor in the final round of the Prague Spring International Music Competition, he captured the hearts of the international jury and the audience, deservedly winning first prize. A graduate of Mozarteum University Salzburg, where he studied with Clemens Hagen, a member of the renowned Hagen Quartet, Mizuno plays on a rare instrument crafted by Pietro Giacomo Rogeri from 1730, kindly loaned to him by the Suntory Foundation. He has given performances at Mozartwoche in Salzburg, the Budapest Spring Festival and CHANEL Pygmalion Days in Tokyo. As a soloist he has appeared with Japan’s finest orchestras, including the Tokyo Symphony Orchestra.

Program and cast

Programme

Dmitri Shostakovich: Concerto for Cello and Orchestra No. 1 in E flat major Op. 107

Anton Bruckner: Symphony No. 6 in A major

 

Performers

Deutsches Symphonie-Orchester Berlin

Tomáš Hanus – conductor

Yuya Mizuno – violoncello

Municipal House Theater Prague

  Municipal House (Czech: Obecní dům) is a civic building that houses Smetana Hall, a celebrate concert venue, in Prague, Czech Republic. Its address is Náměstí Republiky 5, next to the Powder Gate in the center of the city.
  The Royal Court palace used to be located on the site of the Municipal House. From 1383 until 1485 the King of Bohemia lived on the property. After 1485, it was abandoned. It was demolished in the early 20th century. Construction of the current building started in 1905. It opened in 1912.[citation needed] The building was designed by Osvald Polívka and Antonín Balšánek.

  The Municipal House was the location of the Czechoslovak declaration of independence.

  The building is of the Art Nouveau architecture style. The building exterior has allegorical art and stucco. There is a mosaic called Homage to Prague by Karel Špillar over the entrance.  On either side are allegorical sculpture groups representing The Degradation of the People and The Resurrection of the People by Ladislav Šaloun. Smetana Hall serves as a concert hall and ballroom. It has a glass dome. 

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