Werther

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March 2025
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Synopsis

 

ACT 1 & 2

In the middle of summer, the widowed bailiff rehearses Christmas carols with his children, who are still minors.

Werther, who comes to visit, waxes lyrical about the wonderful natural surroundings. When he sees the great love that the children have for their sister Charlotte, the bailiff's only adult daughter, he is deeply impressed. Left alone with Charlotte, he confesses his love for her. But Charlotte evades him and reminds him of a vow she had made to her dying mother: to marry Albert, her fiancé. Then the news arrives that Albert has returned. Werther is left behind in despair.

A few months after Albert and Charlotte's wedding, the two rivals have a discussion. But Albert seems to forgive Werther for his earlier passion. As soon as Charlotte and Werther are alone, however, he reaffirms his love for her. Charlotte rejects him again and only allows him to see her again at Christmas time. Werther flees, leaving Sophie, Charlotte's 15-year-old sister, crying behind. She has fallen unhappily in love with him.

 

ACT 3 & 4

On Christmas Day, Charlotte, who is now also devoted to Werther, reads his letters. A suicide threat in the letter frightens her.

When Sophie arrives and talks about Werther, Charlotte bursts into tears. When she is alone again, Werther comes to her unexpectedly. He demands a kiss, but Charlotte refuses. Werther then leaves Charlotte and sends Albert a letter in which he asks for his pistol, which Albert sends him.

When Charlotte becomes aware of Werther's suicidal intentions, she sets off in search of him. But she only finds him dying. Now that everything is too late, she confesses her love for him. In the background, the children sing the Christmas carol they rehearsed in the summer.

 

ACT 1 & 2 - 75 MIN

INTERMISSION - 25 MIN

ACT 3 & 4 - 65 MIN

Program and cast

Werther: Matthew Polenzani
Albert: Clemens Unterreiner
Charlotte: Kate Lindsey
Sophie: Florina Ilie

 

Musical Direction: Bertrand de Billy
Direction: Andrei Serban
Stage and Costumes: Peter Pabst
Costume Assistant: Petra Reinhardt

Photo gallery
Werther
Wiener Staatsoper
© Wiener Staatsoper
Werther 2
Wiener Staatsoper
© Wiener Staatsoper
Werther 3
Wiener Staatsoper
© Wiener Staatsoper
Werther 4
Wiener Staatsoper
© Wiener Staatsoper

Vienna State Opera

Public Transport
 

Subway lines: U1, U2, U4
Trams: 1, 2, D, J, 62, 65
Buses: 59A
Local Railway: Badner Bahn
Stops: Karlsplatz / Opera

Taxi stands are available nearby.
 

Parking



Parking is only € 6, - for eight hours!

The Wiener Staatsoper and the ÖPARK Kärntner Ring Garage on Mahlerstraße 8, under the “Ringstraßengalerien”, offer the patrons of the Vienna State Opera a new, reduced parking fee. You can park in the Kärntner Ring Garage for up to 8 hours and pay only a flat fee of € 6, -. Just validate your ticket at one of the discount machines inside the Wiener Staatsoper. The normal rate will be charged for parking time greater than 8 hours. The validation machines can be found at the following coat checks: Operngasse, Herbert von Karajan-Platz, and the right and left and balcony galleries.

Important: In order to get the discount, please draw a ticket and do not use your credit card when entering the garage!

After devaluing your ticket in the Wiener Staatsoper you can pay comfortably by credit card or cash at the vending machines.

The machines accept coins and bills up to 50.- Euro. Parking time longer than 8 hours will be charged at the normal rate.
 

History



The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll. It was also impacted by other major artists such as Moritz von Schwind, who painted the frescoes in the foyer, and the famous "Zauberflöten" (“Magic Flute”) series of frescoes on the veranda. Neither of the architects survived to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide, and his friend Sicardsburg died of a stroke soon afterwards.

 

On May 25, 1869, the opera house solemnly opened with Mozart's Don Giovanni in the presence of Emperor Franz Joseph and Empress Elisabeth.
The popularity of the building grew under the artistic influence of the first directors: Franz von Dingelstedt, Johann Herbeck, Franz Jauner, and Wilhelm Jahn. The Vienna opera experienced its first high point under the direction of Gustav Mahler. He completely transformed the outdated performance system, increased the precision and timing of the performances, and also utilized the experience of other noteworthy artists, such as Alfred Roller, for the formation of new stage aesthetics.

 

The years 1938 to 1945 were a dark chapter in the history of the opera house. Under the Nazis, many members of the house were driven out, pursued, and killed, and many works were not allowed to be played.

 

On March 12, 1945, the opera house was devastated during a bombing, but on May 1, 1945, the “State Opera in the Volksoper” opened with a performance of Mozart's THE MARRIAGE OF FIGARO. On October 6, 1945, the hastily restored “Theaters an der Wien” reopened with Beethoven's FIDELIO. For the next ten years the Vienna State Opera operated in two venues while the true headquarters was being rebuilt at a great expense.

 

The Secretary of State for Public Works, Julius Raab, announced on May 24, 1945, that reconstruction of the Vienna State Opera would begin immediately. Only the main facade, the grand staircase, and the Schwind Foyer had been spared from the bombs. On November 5, 1955, the Vienna State Opera reopened with a new auditorium and modernized technology. Under the direction of Karl Böhm, Beethoven’s FIDELIO was brilliantly performed, and the opening ceremonies were broadcast by Austrian television. The whole world understood that life was beginning again for this country that had just regained its independence.

 

Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer since September 1, 2010.

© Bwag/Commons
© Wiener Staatsoper
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