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Der Freischütz Tickets

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Der Freischütz

Venue: Vienna State Opera

 
Opernring 2
1010 Wien
Austria
 
 
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Next performance (see season calendar above for other dates)
 
Event details
 

Synopsis

 

Act 1

The young assistant forester Max loves Agathe and is to become the successor to Cuno, the head forester and Agathe's father. But a test of skill in marksmanship is required, the trial to be held the following day.

At a target shooting, Max loses to the young peasant Kilian, who is proclaimed "King of marksmen." (Chorus: "Viktoria! der Meister soll leben"/"Victory! Long live the master"; the good-naturedly mocking song of Kilian: "Schaut der Herr mich an als König"/"Let him gaze on me as king.")

Because Max has had ill luck for several days he easily falls under the influence of Caspar, who persuades Max to cast sevenmagic bullets to be used in the contest. Caspar, whose soul is to be forfeited to the devil on the following day, hopes to obtain three more years of grace by substituting Max in his place. (Trio: Cuno, Caspar, Max; chorus: "O diese Sonne"/"O the sun, fearsomely it rises.")

Left alone, Max sinks into deep melancholy at the thought of losing Agathe through failure at the shooting contest. (Aria: "Durch die Wälder"/"Through woods and fields.") Caspar with weird incantations tries to imbue him with courage. (Song: "Hier im ird'schen Jammerthal"/"Here in this vale of tears.")

He hands Max his gun loaded with a magic bullet, and to his own astonishment Max kills an eagle soaring at a great height. He resolves to go with Caspar at midnight to the terrible Wolf's Glen to cast the magic bullets, which will kill anything the shooter wants, in order to win the prize. Caspar, left alone, triumphs. (Aria: "Schweig! damit dich Niemand warnt"/"Silence, let no one warn him.")

 

Act 2

Agathe's chamber

Agathe is filled with sad forebodings. She sings of her meeting with a hermit in the forest, who told her that in some danger which menaced her, she would be protected by her bridal wreath. At the moment when Max shoots the magic bullet, the picture of Agathe's ancestor hanging against the wall falls to the floor, slightly wounding her. Agathe's cousin and companion Ännchen replaces it. (Duet: "Schelm, halt fest!"/"Rogue, hold fast, I will teach you.") Agathe is still more disturbed, but Ännchen endeavours to cheer her with jests. (Ännchen: "Kommt ein schlanker Bursch gegangen"/"Comes a pretty boy this path.")

Agathe left alone awaits Max with the news of his success, which she decides to interpret as a favourable omen. (Recitative and aria: "Wie nahte mir der Schlummer ... Leise, leise"/"My eyelids droop in slumber ... Low, low, sacred words".)

Max arrives; he acknowledges that he has not been the victor, but explains that he has killed a deer, which he will bring this evening from the Wolf's Glen. Notwithstanding the prayers of Agathe and Ännchen, Max departs. (Trio: "Wie? Was? Entsetzen!"/"What, oh horror! there in the wolf's gorge?")

The Wolf's Glen at night

Caspar calls upon Samiel, the Black Huntsman, for assistance, and prepares the casting of the magic bullets. Max arrives and is warned by the spirit of his mother to abandon the project. Samiel conjures up the shape of Agathe, representing her as drowning herself in despair at Max's ill success, whereupon he plunges into the glen and with demoniacal noise the casting of the bullets is begun.

 

Act 3

Agathe's chamber

Agathe is praying. (Aria: "Und ob die Wolke sie verhülle"/"Through clouds obscure still shines the sun in radiant sky.") Her doubts have returned, owing to a dream of ill omen, but Ännchen again cheers her with laughter and song. (Romance and aria, subsequently added by Weber: " Einst träumte meiner sel'gen Base"/"My deceased cousin had a dream.") The bridesmaids arrive with the bridal wreath. (Song: "Wir winden dir den Jungfern-Kranz"/"We wind round thee the bridal wreath.") When Ännchen opens the box, however, she finds within a funeral wreath, which still further increases Agathe's misgivings. She is somewhat comforted by the memory of the hermit's promise that she shall be protected by her bridal wreath.

The meeting of the marksmen

Having split the seven bullets between them, Max has used four and Caspar has used three. Max demands Caspar give him his last bullet to use in the final shooting contest, but Caspar refuses. As Max leaves, Caspar shoots a fox, thus making Max's bullet the seventh and controlled by the Evil One.

The prize shooting

Prince Ottokar awaits Max at his tent. (Chorus of foresters: "Was gleicht wohl auf Erden"/"What excels the pleasures of the chase.") Max is now to shoot a dove. As he takes aim, Samiel, the black huntsman, appears to guide the bullet, and causes Max to fire at Agathe, who is apparently wounded. (Finale: "Schaut, o schaut"/"See, oh see, he shoots his bride.") Agathe falls, but her bridal wreath has deflected the bullet, which struck Caspar. Agathe revives from her faint. Caspar, seeing a holy hermit by her side, realizes that he has failed. Samiel grasps him instead of Max, whereupon Caspar expires with a curse upon his lips. Prince Ottokar orders the corpse to be thrown into the Wolf's Glen, then demands and receives an explanation from Max. In spite of pleas from Cuno, Agathe, peasants, and huntsman, the infuriated Prince pronounces the sentence of banishment. Before this can be carried out, however, the hermit enters into their midst. The Prince acknowledges the holy man, and asks for his counsel. The hermit explains that the combined effects of love for Agathe, and fear of losing her should he fail the shooting trial are what caused Max to stray from a life that was formerly without fault. The hermit goes on to condemn the trial shot, suggests a probationary year as penalty, and asks who among the assembled has looked into their own heart and would be willing to cast the first stone. If Max lives a faultless life, he will gain forgiveness and be permitted to marry Agathe. The Prince commends the hermit for his wisdom saying a higher power speaks through him. The Prince ends his pronouncement by saying he, himself, will place the hand of Agathe in that of Max when the probation is over. The opera ends with the ensemble singing prayers of thanks.

 
Program details
 

CAST

CONDUCTOR | Tomáš Netopil
DIRECTOR | Christian Räth
AUSSTATTUNG | Gary McCann 
LIGHT | Mark McCullough
VIDEO |    Nina Dunn
 
Agathe    Camilla Nylund
Ännchen    Daniela Fally
Kaspar    Alan Held
Max    Andreas Schager

 

Season 2018/2019


Conductor: Sebastian Weigle


Agathe: Anna Gabler
Kaspar: Tomasz Konieczny
Max: Christopher Ventris
A hermit; Falk Struckmann
Samiel: Hans Peter Kammerer


Director: Christian Räth
Equipment: Gary McCann
Light: Thomas Hase
Video: Nina Dunn

 
Venue
 
Vienna State Opera
 

Public Transport
 

Subway lines: U1, U2, U4
Trams: 1, 2, D, J, 62, 65
Buses: 59A
Local Railway: Badner Bahn
Stops: Karlsplatz / Opera

Taxi stands are available nearby.
 

Parking



Parking is only € 6, - for eight hours!

The Wiener Staatsoper and the ÖPARK Kärntner Ring Garage on Mahlerstraße 8, under the “Ringstraßengalerien”, offer the patrons of the Vienna State Opera a new, reduced parking fee. You can park in the Kärntner Ring Garage for up to 8 hours and pay only a flat fee of € 6, -. Just validate your ticket at one of the discount machines inside the Wiener Staatsoper. The normal rate will be charged for parking time greater than 8 hours. The validation machines can be found at the following coat checks: Operngasse, Herbert von Karajan-Platz, and the right and left and balcony galleries.

Important: In order to get the discount, please draw a ticket and do not use your credit card when entering the garage!

After devaluing your ticket in the Wiener Staatsoper you can pay comfortably by credit card or cash at the vending machines.

The machines accept coins and bills up to 50.- Euro. Parking time longer than 8 hours will be charged at the normal rate.
 

History



The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll. It was also impacted by other major artists such as Moritz von Schwind, who painted the frescoes in the foyer, and the famous "Zauberflöten" (“Magic Flute”) series of frescoes on the veranda. Neither of the architects survived to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide, and his friend Sicardsburg died of a stroke soon afterwards.

 

On May 25, 1869, the opera house solemnly opened with Mozart's Don Giovanni in the presence of Emperor Franz Joseph and Empress Elisabeth.
The popularity of the building grew under the artistic influence of the first directors: Franz von Dingelstedt, Johann Herbeck, Franz Jauner, and Wilhelm Jahn. The Vienna opera experienced its first high point under the direction of Gustav Mahler. He completely transformed the outdated performance system, increased the precision and timing of the performances, and also utilized the experience of other noteworthy artists, such as Alfred Roller, for the formation of new stage aesthetics.

 

The years 1938 to 1945 were a dark chapter in the history of the opera house. Under the Nazis, many members of the house were driven out, pursued, and killed, and many works were not allowed to be played.

 

On March 12, 1945, the opera house was devastated during a bombing, but on May 1, 1945, the “State Opera in the Volksoper” opened with a performance of Mozart's THE MARRIAGE OF FIGARO. On October 6, 1945, the hastily restored “Theaters an der Wien” reopened with Beethoven's FIDELIO. For the next ten years the Vienna State Opera operated in two venues while the true headquarters was being rebuilt at a great expense.

 

The Secretary of State for Public Works, Julius Raab, announced on May 24, 1945, that reconstruction of the Vienna State Opera would begin immediately. Only the main facade, the grand staircase, and the Schwind Foyer had been spared from the bombs. On November 5, 1955, the Vienna State Opera reopened with a new auditorium and modernized technology. Under the direction of Karl Böhm, Beethoven’s FIDELIO was brilliantly performed, and the opening ceremonies were broadcast by Austrian television. The whole world understood that life was beginning again for this country that had just regained its independence.

 

Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer since September 1, 2010.

 
 
LATEST NEWS
Buy now opera,ballet and classical concerts tickets at famous theaters in Europe
 
Tickets Booking for famous theaters in Europe. Concerts and classic concerts tickets. Buy online tickets for opera and ballet events at Vienna State Opera, Teatro la Fenice, OPERA GARNIER and OPERA BASTILLE in Paris, etc.