Musicbanda Franui

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Program and cast

Saturday 2 October 2021


Performers

Nikolaus Habjan, puppetry, singing, recitation

Musicbanda Franui

Johannes Eder, clarinet, bass clarinet

Andreas Fuetsch, tuba

Romed Hopfgartner, alto saxophone, clarinet

Markus Kraler, double bass, accordion

Angelika Rainer, harp, zither, vocals

Bettina Rainer, dulcimer, vocals

Markus Rainer, trumpet, vocals

Martin Senfter, valve trombone, vocals

Nikolai Tunkowitsch, violin


Programme


"All not true"


Georg Kreisler

Frühlingslied (Poisoning Pigeons) (Arrangement: Markus Kraler and Andreas Schett) (1956)

A Bidla Buh (arrangement: Markus Kraler and Andreas Schett) (1955)

Song for Carinthian Male Choir (Arrangement: Markus Kraler and Andreas Schett) (1957)

Das Triangel (Arrangement: Markus Kraler and Andreas Schett) (1956)

Poultry Farming (Der Vielvölkerstaat)

The Civil Servant (adaptation: Markus Kraler and Andreas Schett) (1979)

The Joke (adaptation: Markus Kraler and Andreas Schett)

The Wandering Kidney (adaptation: Markus Kraler and Andreas Schett) (1956)

When the Circus was on Fire (adaptation: Markus Kraler and Andreas Schett) (1963)

Wie schön wär Wien ohne Wiener (Arrangement: Markus Kraler and Andreas Schett) (1964)


Markus Kraler and Andreas Schett


Neuschluderbacher Tanz (after Gustav Mahler "Verlorene Müh" and "Selbstgefühl" from "Des Knaben Wunderhorn" and "Abschied", No. 6 from "Das Lied von der Erde")

Das Mädchen mit den 2 bis 3 blauen Augen (after Georg Kreisler "Das Mädchen mit den drei blauen Augen" and Gustav Mahler "Lieder eines fahrenden Gesellen")


Georg Kreisler


Alles nicht wahr (adaptation: Markus Kraler and Andreas Schett) (1958)

Where to? (Arrangement: Markus Kraler and Andreas Schett) (1971)


Peter Ilyich Tchaikovsky


The Sick Doll (Children's Album op. 39) (Arrangement: Markus Kraler and Andreas Schett)


Georg Kreisler


Ladybird (Report on the State of the Nation)

Ich kann tanzen (Arrangement: Markus Kraler and Andreas Schett) (1972)

Meine Freiheit, deine Freiheit (Arrangement: Markus Kraler and Andreas Schett)

Peter Ilyich Tchaikovsky

Funeral of the Doll ("Children's Album" op. 39) (Arrangement: Markus Kraler and Andreas Schett)


Georg Kreisler


It can do so well to die overnight

Du hast ja noch Dein Grab (Arrangement: Markus Kraler and Andreas Schett) (1971)


Saturday 13 November 2021,
Sunday 14 November 2021


Performers


maschek., live synchronisation

Musicbanda Franui


Programme


Remake of the silent film "Fräulein Else" (D 1929, director: Paul Czinner), live dubbed and set to music


Markus Kraler, Andreas Schett


Music for the remake of "Fräulein Else" (Director: Paul Czinner, D 1929)
Commissioned by Elbphilharmonie Hamburg and Wiener Konzerthaus


Wednesday 16 February 2022


Performers


Musicbanda Franui

Johannes Eder, clarinet, bass clarinet

Andreas Fuetsch, tuba

Romed Hopfgartner, alto saxophone, clarinet

Markus Kraler, double bass, accordion

Angelika Rainer, harp, zither, vocals

Bettina Rainer, dulcimer, vocals

Markus Rainer, trumpet, vocals

Martin Senfter, valve trombone, vocals

Nikolai Tunkowitsch, violin

Bavarian Radio Choir, Choir


Programme


Where am I going? The Mahler Project

Wiener Konzerthaus

The Wiener Konzerthaus ( Vienna Concert House or Hall) is one of the largest and most artistically progressive institutions in international musical life. During the course of a season, which extends from September to June, some 750 wide-ranging events take place and more than 600,000 visitors can listen to around 2,500 different compositions. With this comprehensive and varied selection, the Wiener Konzerthaus – together with the Vienna State Opera House and the Musikverein – is central to Vienna’s reputation as one of the world’s leading music capitals.

From its earliest days, the Wiener Konzerthaus has held the highest cultural aims and artistic mission: «To act as a venue for the cultivation of fine music, as a meeting point for artistic endeavour, as a home for music and a cultural centre for Vienna». It was in this spirit that the Konzerthaus was inaugurated on 19 October 1913 with a festive concert attended by Emperor Francis Joseph I. To mark the occasion, Richard Strauss wrote the «Festliches Präludium op. 61», which was followed by Beethoven’s Ninth Symphony. This programme combination, comprising a contemporary work and a masterpiece from the past, served as a model for the Wiener Konzerthaus’s future direction: today, too, an awareness of tradition and the joys of innovation form the main pillars of the Konzerthaus’s artistic identity.

 

Access to the Wiener Konzerthaus

Public transport:
Short walk from the U4 Stadtpark Station: 10 min walk from the U4/U1 Karlsplatz Station, or take the 4A bus.

From the tram and bus stops at Schwarzenbergplatz, accessed by D, 2 & 71 trams and 3A & 4A buses. The 4a bus stop is at Hotel Am Konzerthaus.

Taxi:
The nearest taxi stands are at the Hotel Intercontinental in the Johannesgasse and at Hotel Am Konzerthaus on the Heumarkt.

Restaurants next to:

Gmoakeller

Hotels in immediate vicinity:

Hotel am Konzerthaus and Intercontinental

 

Great Hall

In the heart of the building (which consists of more than 600 rooms) lies the Konzerthaus’s flagship, the Grosser Saal (Great Hall). Designed with a sense of space and classical balance, its stage has provided the setting for many memorable concerts over the years. In this room, artists, audiences and atmosphere blend into a harmonious triad.


Home to world-famous orchestras, virtuoso soloists, renowned conductors and legendary jazz musicians, the Great Hall can accommodate an audience of 1,800 and offers the perfect venue for a wide variety of musical activity. The Great Hall has emerged from the major renovation with renewed splendour and, despite improvements in technical installation and audience comfort has continued to conserve its original elegance. Its unique atmosphere ideally lends itself to the broad range of artistic activities offered by the Vienna Konzerthaus.

 

 

Mozart Hall

Open and relaxing, welcoming and intimate, with its incomparable appeal, the Mozart Hall constitutes a jewel of international musical life. The perfect setting for all types of chamber music, from lute and Lieder recitals to string quartets and chamber orchestras, it can accommodate an audience of around 700 – an ideal size in which to experience the intimacy of chamber music and recital performances.

The Mozart Hall enjoys world-wide acclaim on account of its unique acoustics. This distinction makes it a top favourite with leading ensembles and soloists – as well as a popular venue for recordings. This was taken into account during the major renovation of the building: as with all other rooms in the Konzerthaus, the Mozart Hall is directly linked to a recording studio and a technical control room.



 

Schubert Hall

With its festive character, the Schubert-Saal presents the perfect model of a music salon, the restored use of the windows follwing the renovation having returned the room to its elegant, airy appearance.

Equipped with around 320 seats, it lends itself to a wide range of chamber-music concerts, as well as to receptions, dinners and lectures. It is home to the popular lunchtime concert series, as well as to events which enable promising young musicians to experience a professional concert stage. Many a musical career has been launched in the Schubert Hall of the Vienna Konzerthaus.
 

Seating capacity: 320
Auditorium: 240 m²
Podium: 50 m²

 

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