Sharon Eyal, Mats Ek

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August 2019 Next
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After Faunes, Israeli choreographer Sharon Eyal returns for her first “en pointe” ballet at the Paris Opera. The former dancer and artistic collaborator of the Batsheva Dance Company comes to grips with OCD Love, a 2015 piece she proposes in a new version for the Opera’s dancers. Inspired by a text from American poet-slammer Neil Hilborn, who suffers from obsessive-compulsive disorder, the work underlines the difficulty of loving.

The complexity of human relationships is also a theme of Mats Ek’s Appartement. Not without humour, the various sketches confront the ballet’s characters with their solitude through everyday objects such as bidets, television sets and stoves. From the armchair solo to the grand pas de deux and the hoover jig, the Swedish choreographer mixes styles in energetic dance set to the percussive music of Fleshquartet.

Program and cast

OCD Love

Creation

After the original choreography
Recorded music

Creative team

Sharon Eyal - Choreography

Gai Behar - Co-creation

Ori Lichtik - Music

Alon Cohen - Lighting design

 

Appartement

Music performed live by Fleshquartet

Creative team

Mats Ek - Choreography

Fleshquartet - Music

Peter Freiij - Set design and Costume design

Erik Berglund - Lighting design

 

With the Paris Opera Étoiles, Premières Danseuses, Premiers Danseurs and Corps de Ballet

 

Duration : 2h05 with 1 interval

Opening

First part - 55 minutes

Intermission 20 minutes

Second part - 50 minutes

End

Paris Opera Palace Garnier

RM Europa Ticket GmbH is an officially accredited ticket reseller of/by Opera National de Paris.

 

Agency number: 4848428

 

The Paris Opera (French: Opéra de Paris, or simply the Opéra) is the primary opera company of Paris. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique. Classical ballet as we know it today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the Opéra national de Paris, it primarily produces operas at its modern 2700-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1970-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.
The company's annual budget is in the order of 200 million euros, of which 100 million come from the French state and 70 million from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, which includes the orchestra of 170, a chorus of 110 and the corps de ballet of 150
Each year, the Opéra presents about 380 performances of opera, ballet and other concerts, to a total audience of about 800,000 people (of which 17% come from abroad), which is a very good average seat occupancy rate of 94%In the 2012/13 season, the Opéra presents 18 opera titles (two in a double bill), 13 ballets, 5 symphonic concerts and two vocal recitals, plus 15 other programmes. The company's training bodies are also active, with 7 concerts from the Atelier Lyrique and 4 programmes from the École de Danse.

The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier. The theatre is also often referred to as the Opéra Garnier, and historically was known as the Opéra de Paris or simply the Opéra, as it was the primary home of the Paris Opera and its associated Paris Opera Ballet until 1989, when the Opéra Bastille opened at the Place de la Bastille. The Paris Opera now mainly uses the Palais Garnier for ballet.

The Palais Garnier is "probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica." This is at least partly due to its use as the setting for Gaston Leroux's 1910 novel The Phantom of the Opera and, especially, the novel's subsequent adaptations in films and Andrew Lloyd Webber's popular 1986 musical. Another contributing factor is that among the buildings constructed in Paris during the Second Empire, besides being the most expensive, it has been described as the only one that is "unquestionably a masterpiece of the first rank." This opinion is far from unanimous however: the 20th-century French architect Le Corbusier once described it as "a lying art" and contended that the "Garnier movement is a décor of the grave".

The Palais Garnier also houses the Bibliothèque-Musée de l'Opéra de Paris (Paris Opera Library-Museum). Although the Library-Museum is no longer managed by the Opera and is part of the Bibliothèque nationale de France, the museum is included in unaccompanied tours of the Palais Garnier.

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